“The setting is a ballet class, and the year is 1974. George Balanchine throws up his arms in exasperation at the sight of a dancer executing a step incorrectly at the barre. We may not be able to see her, and what she’s doing wrong, but we feel how hard Balanchine is taking it. It’s not just his words — ‘that’s bad’ — but the punctuation of his body, emphatic, agile, alive. His hands slap his thighs. He raises an arm like a stiff branch to show how far a leg should be raised. It’s not high; it’s parallel to the floor. … The new film ‘In Balanchine’s Classroom,’ directed by Connie Hochman, focuses on the teaching of the groundbreaking choreographer — and how it instilled his dances at New York City Ballet with articulate, musical brilliance. It’s both enthralling and heartbreaking. To love Balanchine is to love this film; to love this film is to love ballet, specifically Balanchine’s kind and his kind of dancer: daring, fast, strong, free, at one with the music. Each is different from the next. That mattered to him. … Balanchine is irreplaceable. His ballets are still performed, most regularly by City Ballet, the company he formed with Lincoln Kirstein, but are they performed in the same way? It’s that question that makes the film heartbreaking. Each year since Balanchine’s death in 1983, his legacy has become more vulnerable. The pandemic sped that up. In many ways, ‘In Balanchine’s Classroom’ is a call to action, an opportunity to study what he left behind: his teaching, which was the basis for all that followed. He not only revolutionized ballet, but he also made it reflect the feeling of the time while giving it a sense of timelessness. … Since Hochman began work on the documentary more than 10 years ago, several of the dancers she interviewed, including Jacques d’Amboise, have died. Esteemed teachers like Suki Schorer, a former principal who started teaching at Balanchine’s request in the early 1960s and continues to do so at the School of American Ballet, are getting older. That the film preserves their voices, and many more, is invaluable. (Hochman is also building an archive of the dozens of dancers that she interviewed for the film. A selection of snippets is available online.) …”
NY Times
W – George Balanchine
YouTube: IN BALANCHINE’S CLASSROOM – official US trailer, Balanchine PBS Documentary 1:54:27, I, George Balanchine (2018) 44:02
Bill Davis
-
Join 425 other subscribers
Tags
- 1968 DNC
- Agent Orange
- Alan Watts
- Allen Ginsberg
- Angela Davis
- ARVN
- Berlin Wall
- Bill Graham
- Black Power
- Bob Dylan
- Books
- Burroughs
- Cambodia
- Che
- Chicago Eight
- Chicano/Puerto Rican
- CIA
- Civil Rights Mov.
- Computing
- CORE
- Counterculture
- Cronkite
- Cuban Revolution
- Czech
- Dick Gregory
- Documentary
- Draft board
- Ed Sanders
- Eldridge Cleaver
- Environmental
- Feminist
- Freedom Summer
- Free Speech Mov.
- Gonzo journalism
- Grateful Dead
- Haight-Ashbury
- Hanoi
- Happenings
- Harlem
- Henry Kissinger
- Hippie
- Ho Chi Minh
- Ho Chi Minh Trail
- Huey P. Newton
- Hunter S. Thompson
- Italy
- Jack Kerouac
- James Baldwin
- Jazz
- Jerry Rubin
- Jesse Jackson
- John Kennedy
- Ken Kesey
- LA Boom
- Laos
- LSD
- Lyn. Johnson
- Malcolm X
- Marijuana
- Merry Pranksters
- Mexico
- Michael Herr
- MLKJr.
- Movie
- Music
- My Lai
- Napalm
- Newspaper
- Nixon
- Noam Chomsky
- No Nukes
- NVA
- Pacifist
- Paris
- Peace talks
- Philip Berrigan
- Phil Ochs
- Poetry
- Poverty
- Project Mercury
- R. McNamara
- Race Riots
- Religion
- Rob. Kennedy
- Rolling Stones
- Saigon
- SCLC
- SDS
- SNCC
- Sports
- Street theater
- Tet 1968
- The Beatles
- The Fugs
- Timothy Leary
- Tom Hayden
- TV
- Viet Cong
- Vietnam War
- Weather Underground
-
Recent Posts
- A Home Version of Trisha Brown’s ‘Roof Piece,’ No Roof Required
- The Fame Studios Story – 1961-1973
- Taking Venice – Amei Wallach
- Why Michael Cimino didn’t consider ‘The Deer Hunter’ to be a Vietnam War movie
- J. G. Ballard
- “Crowded Air”: Previous Modernisms in some 1964 New York Little Magazines – Stephanie Anderson
- Le Cercle Rouge – Jean-Pierre Melville (1970)
- The Drifters’ Golden Hits (1968)
- Simone de Beauvoir Understood the Link Between Gender and Class Oppression
- The Castafiore Emerald – The Adventures of Tintin (1963)
Categories
- 1968 DNC
- Agent Orange
- Alan Watts
- Allen Ginsberg
- Angela Davis
- ARVN
- Beach Boys
- Berlin Wall
- Bill Ayers
- Bill Graham
- Bill Moyers
- Black Power
- Bob Dylan
- Bobby Seale
- Books
- Burroughs
- Cambodia
- Che
- Chicago Eight
- Chicano/Puerto Rican
- CIA
- Civil Rights Mov.
- Computing
- CORE
- Counterculture
- Cronkite
- Cuban Revolution
- Czech
- Dick Gregory
- Documentary
- Draft board
- Ed Sanders
- Eldridge Cleaver
- Environmental
- Feminist
- Free Speech Mov.
- Freedom Summer
- Gonzo journalism
- Grateful Dead
- Haight-Ashbury
- Hanoi
- Happenings
- Harlem
- Henry Kissinger
- Hippie
- Ho Chi Minh
- Ho Chi Minh Trail
- Huey P. Newton
- Hunter S. Thompson
- Italy
- Jack Kerouac
- James Baldwin
- Jazz
- Jerry Rubin
- Jesse Jackson
- John & Yoko
- John Kennedy
- Ken Kesey
- LA Boom
- Laos
- LSD
- Lyn. Johnson
- Malcolm X
- Mao
- Marijuana
- Merry Pranksters
- Mexico
- Michael Herr
- MLKJr.
- Movie
- Music
- My Lai
- Napalm
- Newspaper
- Nixon
- No Nukes
- Noam Chomsky
- NVA
- Pacifist
- Paris
- Paris Peace Accords
- Paul Goodman
- Peace talks
- Phil Ochs
- Philip Berrigan
- Poetry
- Poverty
- Project Mercury
- R. McNamara
- Race Riots
- Religion
- Richard Brautigan
- Rob. Kennedy
- Rolling Stones
- Saigon
- SCLC
- SDS
- SNCC
- Sports
- Street theater
- Tet 1968
- The Beatles
- The Fugs
- Timothy Leary
- Tom Hayden
- TV
- Uncategorized
- United Nations
- Ursula K. Le Guin
- Viet Cong
- Vietnam War
- Watergate scandal
- Weather Underground
Archives
- May 2024
- April 2024
- March 2024
- February 2024
- January 2024
- December 2023
- November 2023
- October 2023
- September 2023
- August 2023
- July 2023
- June 2023
- May 2023
- April 2023
- March 2023
- February 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- Follow 1960s: Days of Rage on WordPress.com
Categories
Allen Ginsberg Black Power Bob Dylan Books Burroughs Chicano/Puerto Rican CIA Civil Rights Mov. Counterculture Cuban Revolution Documentary Draft board Feminist Happenings Hippie Jazz John Kennedy LSD Lyn. Johnson Marijuana MLKJr. Movie Music Newspaper Nixon Pacifist Paris Poetry R. McNamara Religion Rob. Kennedy SDS Street theater Viet Cong Vietnam WarGravatar
Reblogged this on dean ramser.
LikeLike