Category Archives: Bill Graham

Fillmore Bill: Bill Graham’s Legacy

During the 1965 Mime Troupe arrest: from left to right: Bill Graham, Ron Davis, Luis Valdez, Paul Jacobs. “Bill Graham’s rise to fame coincided with (and is partly owed to) the heyday of late 60s counterculture movement and its music … Continue reading

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Bob Weir on Psychedelic San Francisco and the Birth of the Grateful Dead

Fillmore West at Van Ness and Market, 1970, with marquee advertising upcoming Grateful Dead shows. “Bob Weir’s long, strange trip with the Grateful Dead began on New Year’s Eve, 1963, when he followed the sound of a banjo into a … Continue reading

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Fillmore: The Beats in the Western Addition

“If all art aspires to the condition of music, then in the postwar coteries that would sometimes be called beat, that music was jazz, and its salient qualities were spontaneity, improvisation, collaboration, subversion, low and outlaw status, hipness/coolness, and an … Continue reading

Posted in Allen Ginsberg, Bill Graham, Black Power, Grateful Dead, Haight-Ashbury, Happenings, Jack Kerouac, Jazz, Music, Poetry | Tagged , , , , , , , , , | 1 Comment

The Psychedelic Poster Craze of the 1960s

“For centuries, the poster has been a useful tool for advertising coming attractions, warning of dangers both physical and spiritual, and publicly calling for political change. But it wasn’t until the 1960s that the idea of using posters for decoration … Continue reading

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The Now By Luc Sante

“When I was a teenager I was, like most teenagers, preoccupied with the idea that somewhere on the horizon there was a Now. The present moment came to a peak out there; it achieved a continuous apotheosis of nowness, a … Continue reading

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What A Long Strange Trip It’s Been (February 26, 1976)

“The San Francisco scene started at the Red Dog Saloon, as much as you can say it started at any one place. Most of the elements were there: rock & roll, a sort of light show, the first psychedelic dance … Continue reading

Posted in Alan Watts, Allen Ginsberg, Bill Graham, Counterculture, Environmental, Grateful Dead, Haight-Ashbury, Happenings, Hippie, Hunter S. Thompson, Jazz, Ken Kesey, LSD, Marijuana, Merry Pranksters, Music, Religion, Street theater | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

The Fillmore

“The Fillmore is a historic music venue in San Francisco, California. Built in 1912 and originally named the Majestic Hall, it became the Fillmore Auditorium in 1954. It is in Western Addition, on the edge of the Fillmore District and … Continue reading

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Live/Dead – Grateful Dead (1969)

“Live/Dead is the first official live album released by the San Francisco-based rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use … Continue reading

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The Paul Butterfield Blues Band – East-West (1966)

“East-West is the second album by The Butterfield Blues Band, released in 1966 on Elektra Records, EKS 7315 in stereo, EKL 315 in mono. It was recorded at the famed Chess Studios on 2120 South Michigan Avenue in Chicago. It … Continue reading

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From Folk to Acid Rock, How Marty Balin Launched the San Francisco Music Scene

Top: Marty Balin at Monterey Pop, 1967. Photo by Suki Hill. Above. Jefferson Airplane enjoyed a close relationship with promoter Bill Graham, who booked the band, which he managed during most of 1967, into the Fillmore in San Francisco and … Continue reading

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Mantra-Rock Dance

The Mantra-Rock Dance poster by Harvey W. Cohen (created December 1966) “The Mantra-Rock Dance was a counterculture music event held on January 29, 1967, at the Avalon Ballroom in San Francisco. It was organized by followers of the International Society for Krishna … Continue reading

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Anderson Theater

“Unlike the former Fillmore East two blocks north, there is no plaque at 66 Second Avenue between 3rd and 4th Streets to honor the Anderson Theater. The forgotten Anderson kicked off with a series of rock concerts sponsored by Crawdaddy … Continue reading

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Wes Wilson

“Wes Wilson is generally acknowledged as the father of the 60s rock concert poster. In 1968, he received an award from the National Endowment for the Arts for ‘his contributions to American Art.’ He pioneered what is now known as … Continue reading

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