Interview with Tom Veitch on William S. Burroughs

Tom Veitch Magazine #2

“… How did the book come to be published by Ted Berrigan and C Press? For some reason, Ted liked my writing. The first thing he saw by me was a first-person novel called The Transfigured, which Lorenz Gude showed him in late 1961 or early 1962. He loved it, and we immediately became friends. In fact, I was welcomed into the ‘Tulsa circle’, so to speak, which at that time was headquartered in Ted’s apartment near Columbia University. By the time Ted started C Magazine, I was living in Vermont, and he wrote me saying I ought to come back to New York and join the fun. I did, and we immediately began Malgmo’s End. After he had published C Magazine for a while he wanted to do chapbooks and pamphlets, and so he put together Literary Days, which was the first C Press publication as I recall. What did C Press mean to you as a young writer? How did C, a journal of poetry, relate to the other mimeos of the time, like Elephant, Fuck You or Lines? It is hard to say. I remember those times as mostly being about freedom and having fun. As Lorenz Gude (who was the New York Poets’ unofficial photographer) has said, ‘you could be walking home at four in the morning having had an experience that at seven o’clock in the evening you had no idea you were going to have, and that happened regularly.’ For Ted poetry was very much a social thing, a literal meeting of minds and hearts. For Ed Sanders it was a revolutionary thing, sticking it to the establishment, and so forth. Aram Saroyan came along later, with Lines. He moved down from Cambridge, as I recall. Lines was about the poetry itself. One could say a lot more about those days, of course, and people have. As young men, we were really trying to find out who we were and what was our mission in life. Ted knew what his mission was, and so he became a mentor to us. …”
Reality Studio

The Naked Express

About 1960s: Days of Rage

Bill Davis - 1960s: Days of Rage
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