How Postwar Italian Cinema Created La Dolce Vita and Then the Paparazzi

“Those who love the work of Federico Fellini must envy anyone who sees La Dolce Vita for the first time. But today such a viewer, however overwhelmed by the lavish cinematic feast laid before his eyes, will wonder if giving the intrusive tabloid photographer friend of Marcello Mastroianni’s protagonist the name ‘Paparazzo’ isn’t a bit on the nose. Unlike La Dolce Vita‘s first audiences in 1960, we’ve been hearing about real-life paparazzi throughout most all of our lives, and thus may not realize that the word itself originally derives from Fellini’s masterpiece. Each time we refer to the paparazzi, we pay tribute to Paparazzo. In the video essay above, Evan Puschak (better known as the Nerdwriter) traces the origins of paparazzi: not just the word, but the often bothersome professionals denoted by the word. The story begins with the dictator Benito Mussolini, an ‘avid movie fan and fanboy of film stars’ who wrote ‘more than 100 fawning letters to American actress Anita Page, including several marriage proposals.’ … When peacetime returned, with “the studio space being used and Mussolini’s thumb removed, a new wave of filmmakers took to the streets of Rome to make movies about real life in postwar Italy.” Thus began the age of Italian Neorealism, which brought forth such now-classic pictures as Roberto Rossellini’s Rome, Open City and Vittorio De Sica’s Bicycle Thieves. In the nineteen-fifties, major American productions started coming to Rome: Quo Vadis, Roman Holiday, Ben-Hur, Cleopatra. (It was this era, surely, that inspired an eleven-year-old named Martin Scorsese to storyboard a Roman epic of his own.) All of this created an era known as ‘Hollywood on the Tiber.’ For a few years, says Puschak, ‘the Via Veneto was the coolest place in the world.’ Yet ‘while the glitterati cavorted in chic bars and clubs, thousands of others struggled to find their place in the postwar economy.’ …”
Open Culture (Video)
Can Today’s Paparazzi Ever Recover “La Dolce Vita”? (Audio)
Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome

Mickey Hargitay assaults the “king of paparazzi” Rino Barillari while a woman hits him with her purse—Via Veneto 1963. W – Paparazzi

About 1960s: Days of Rage

Bill Davis - 1960s: Days of Rage
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