“There are some minor problems with the release preparation of Butterfield’s third album, but this news only serves to heighten the anticipation for his fans. Finally, on November 22nd 1967, The Resurrection of Pigboy Crabshaw is distributed to retail outlets, and for the most part, it is greeted with a warm reception. In the coming weeks, it will peak at # 52 on the album charts, encouraging Elektra to support their artist with even more international promotion of the band. Even the Rock critics seem content with the new set of tunes from ‘the Butter Band’. As one reviewer notes, ‘P.B. has successfully worked the brass into his band in a way that is fairly original, and not imitative.’ So, with all this positive press, what is Butterfield’s reaction to the release of his most successful album? During a post release interview, he speaks about The Resurrection of Pigboy Crabshaw , ‘We went in, and played the session without having the time to experiment with what we could really do with the horns. It was too new.” ….. “ Some people put me down when I got horns, they’d say “ man, why’d you do that,” but there’s so many things you can do with the horns….. I really dig working with horns. I don’t dig having them just stand there, and play along with us – that’s why I don’t like the Pigboy Crabshaw album too much.’ At first, a fan might think he is just under selling his album as a marketing ploy, or maybe it’s just his ego’s attempt at collecting more accolades, but Butterfield is serious. His new horn band really is a product of a series of surprise changes in personnel, and almost opportunistic format alterations. So, he probably does feel that his band is capable of doing better. … The album changes the direction of music when it inspires other Rock bands to add a horn section, and pursue Rhythm and Blues material. It also encourages other Rock artists to use Jazz elements in their music, similar to the way The Beatles introduce the use folk chord progressions into Rock. Another significant gift the album makes to popular culture is the introduction of several talented artists to the growing community of Rock fans. It provides Elvin Bishop with the opportunity to establish himself as a viable replacement for Bloomfield. He is the one member of the Butterfield band who consistently works the hardest to maintain a position in the group, and all his hard work is now paying off. …”
The Complete Paul Butterfield – # 28 Elvin Bishop and the Butterfield Blues Band Pt. 2
W – The Resurrection of Pigboy Crabshaw
Discogs (Video)
amazon
YouTube: Driftin’ Blues – Monterey 1967 (live)
YouTube: The Resurrection of Pigboy Crabshaw” – Full Album 9 videos
Bill Davis
Tags
- 1968 DNC
- Agent Orange
- Alan Watts
- Allen Ginsberg
- Angela Davis
- ARVN
- Berlin Wall
- Bill Ayers
- Bill Graham
- Black Power
- Bob Dylan
- Books
- Burroughs
- Cambodia
- Che
- Chicago Eight
- Chicano
- CIA
- Civil Rights Mov.
- Computing
- CORE
- Counterculture
- Cronkite
- Cuban Revolution
- Czech
- Dick Gregory
- Documentary
- Draft board
- Ed Sanders
- Eldridge Cleaver
- Environmental
- Feminist
- Freedom Summer
- Free Speech Mov.
- Gonzo journalism
- Grateful Dead
- Haight-Ashbury
- Hanoi
- Happenings
- Harlem
- Henry Kissinger
- Hippie
- Ho Chi Minh
- Ho Chi Minh Trail
- Huey P. Newton
- Hunter S. Thompson
- Italy
- Jack Kerouac
- James Baldwin
- Jazz
- Jerry Rubin
- Jesse Jackson
- John Kennedy
- Ken Kesey
- LA Boom
- Laos
- LSD
- Lyn. Johnson
- Malcolm X
- Marijuana
- Merry Pranksters
- Mexico
- Michael Herr
- MLKJr.
- Movie
- Music
- My Lai
- Napalm
- Newspaper
- Nixon
- Noam Chomsky
- No Nukes
- NVA
- Pacifist
- Paris
- Philip Berrigan
- Phil Ochs
- Poetry
- Poverty
- Project Mercury
- R. McNamara
- Race Riots
- Religion
- Rob. Kennedy
- Rolling Stones
- Saigon
- SCLC
- SDS
- SNCC
- Sports
- Street theater
- Tet 1968
- The Beatles
- The Fugs
- Timothy Leary
- Tom Hayden
- TV
- Viet Cong
- Vietnam War
- Weather Underground
-
Recent Posts
- Paul Krassner
- The Crying of Lot 49 – Thomas Pynchon (1966)
- Shame – Ingmar Bergman (1968)
- “You Are Sometimes in the Trance of What Is Beyond You”: Upheaval, Incantation and Ed Dorn in the Summer of 1968
- Ken Kesey Kisses No Ass
- Every Picture Tells a Story – Rod Stewart (1971)
- How Postwar Italian Cinema Created La Dolce Vita and Then the Paparazzi
- Locus Solus (journal)
- At the Existentialist Café – Sarah Bakewell
- Patsy Cline
Categories
- 1968 DNC
- Agent Orange
- Alan Watts
- Allen Ginsberg
- Angela Davis
- ARVN
- Beach Boys
- Berlin Wall
- Bill Ayers
- Bill Graham
- Bill Moyers
- Black Power
- Bob Dylan
- Bobby Seale
- Books
- Burroughs
- Cambodia
- Che
- Chicago Eight
- Chicano
- CIA
- Civil Rights Mov.
- Computing
- CORE
- Counterculture
- Cronkite
- Cuban Revolution
- Czech
- Dick Gregory
- Documentary
- Draft board
- Ed Sanders
- Eldridge Cleaver
- Environmental
- Feminist
- Free Speech Mov.
- Freedom Summer
- Gonzo journalism
- Grateful Dead
- Haight-Ashbury
- Hanoi
- Happenings
- Harlem
- Henry Kissinger
- Hippie
- Ho Chi Minh
- Ho Chi Minh Trail
- Huey P. Newton
- Hunter S. Thompson
- Italy
- Jack Kerouac
- James Baldwin
- Jazz
- Jerry Rubin
- Jesse Jackson
- John Kennedy
- Ken Kesey
- LA Boom
- Laos
- LSD
- Lyn. Johnson
- Malcolm X
- Mao
- Marijuana
- Merry Pranksters
- Mexico
- Michael Herr
- MLKJr.
- Movie
- Music
- My Lai
- Napalm
- Newspaper
- Nixon
- No Nukes
- Noam Chomsky
- NVA
- Pacifist
- Paris
- Paris Peace Accords
- Paul Goodman
- Peace talks
- Phil Ochs
- Philip Berrigan
- Poetry
- Poverty
- Project Mercury
- R. McNamara
- Race Riots
- Religion
- Richard Brautigan
- Rob. Kennedy
- Rolling Stones
- Saigon
- SCLC
- SDS
- SNCC
- Sports
- Street theater
- Tet 1968
- The Beatles
- The Fugs
- Timothy Leary
- Tom Hayden
- TV
- Uncategorized
- United Nations
- Ursula K. Le Guin
- Viet Cong
- Vietnam War
- Weather Underground
Archives
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- Follow 1960s: Days of Rage on WordPress.com
Categories
Allen Ginsberg Black Power Books Burroughs CIA Civil Rights Mov. Counterculture Cuban Revolution Documentary Draft board Feminist Happenings Henry Kissinger Hippie Jazz John Kennedy LSD Lyn. Johnson Marijuana MLKJr. Movie Music Newspaper Nixon Pacifist Paris Poetry R. McNamara Religion Rob. Kennedy SDS Street theater The Beatles Viet Cong Vietnam WarGravatar