“The term San Francisco Renaissance is used as a global designation for a range of poetic activity centered on San Francisco, which brought it to prominence as a hub of the American poetry avant-garde. However, others (e.g., Alan Watts, Ralph J. Gleason) felt this renaissance was a broader phenomenon and should be seen as also encompassing the visual and performing arts, philosophy, cross-cultural interests (particularly those that involved Asian cultures), and new social sensibilities. Kenneth Rexroth—poet, translator, critic, and author—is generally considered to be the founding father of the renaissance. Rexroth was a prominent second generation modernist poet who corresponded with Ezra Pound and William Carlos Williams and was published in the Objectivist Anthology. He was amongst the first American poets to explore Japanese poetry traditions such as haiku and was also heavily influenced by jazz. If Rexroth was the founding father, Madeline Gleason was the founding mother. During the 1940s, both she and Rexroth befriended a group of younger Berkeley poets consisting of Robert Duncan, Jack Spicer and Robin Blaser. Gleason and Duncan were particularly close and read and criticized each other’s work. … Some of the songwriters of the upcoming rock-music generation of the mid-1960s and later read and appreciated writers like Kerouac, Snyder, McClure, Ferlinghetti, and Ginsberg (e.g., Bob Dylan, for one, has talked about this). Hence, given that much of the late-’60s wave of groundbreaking rock music developed within rock’s famous San Francisco Sound, it seems very likely that the writers of the San Francisco Renaissance had an influence on the lyrics, both artistically and in terms of attitudes to living. The ‘underground press’ that developed in America and elsewhere in the 1960s had one of its most interesting and colorful examples in the San Francisco Oracle which reflected the hippie culture and other aspects of the counterculture. The Oracle gave much space to writings by Gary Snyder, Allen Ginsberg, Lawrence Ferlinghetti, Michael McClure, and other Beat writers, along with emerging younger writers. …”
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