The Science of the Psychedelic Renaissance

Three new books suggest that psychedelic drugs did not necessarily have the power to rewrite society, but, instead, brought on revelations concerning earthly themes.

“In 1960, Allen Ginsberg wrote a letter to Timothy Leary, then a professor at Harvard. Leary had invited the poet to Cambridge to participate in his studies of the newly synthesized chemical psilocybin. Ginsberg responded with enthusiasm, then listed his qualifications: LSD in 1959, as a subject in a research study at Stanford University; ayahuasca on a trip to South America the following year; nitrous oxide; ether; mescaline; marijuana; datura; opiates. Part II of ‘Howl,’ he added, was ‘Peyote writing.’ His motivation in all this, he explained, was to recover a lost feeling, a ‘series of mystical experiences—connected with reading Blake’ that he had gone through when he was younger. Leary’s life has been covered extensively, not least in his own memoirs. Trained as a psychologist, he was forty years old and a professor at Harvard when he went to Mexico, in 1960, and tried psychedelic mushrooms for the first time. He returned to Harvard, placed an order with Sandoz, which then manufactured LSD and psilocybin (the synthetic version of the chemical in the mushrooms), and began the Harvard Psilocybin Project with his colleague Richard Alpert (now known as Ram Dass). The invitation to Ginsberg was one of several overtures by Leary to recruit poets and artists for his experiments. After Ginsberg’s visit to Cambridge, he offered to introduce Leary to interested friends, a group that included the publisher of Grove Books, Barney Rosset, the poets LeRoi Jones (later known Amiri Baraka), Muriel Rukeyser, and Robert Lowell, the painters Willem de Kooning and Franz Kline, and the jazz musicians Dizzy Gillespie and Thelonious Monk. The exchanges between Leary and Ginsberg are collected in a new book, ‘The Timothy Leary Project: Inside the Great Counterculture Experiment,’ compiled by the archivist Jennifer Ulrich, who was put in charge of Leary’s papers when the New York Public Library acquired them, in 2011. Ulrich collects several trip reports here, from Ginsberg and his partner, the poet Peter Orlovsky; from Jack Kerouac; from graduate students and academics; and from Leary himself. …”
New Yorker
New Yorker: The Lingering Legacy of Psychedelia

Onlookers watch a dancer at a Los Angeles “acid test,” in 1966. Under LSD’s influence, sound or light comes to feel euphoric, porous; clinical studies have shown that users enter a state of uninhibitedness similar to that of a baby.

About 1960s: Days of Rage

Bill Davis - 1960s: Days of Rage
This entry was posted in Allen Ginsberg, Books, CIA, Grateful Dead, Hippie, Jack Kerouac, Jazz, Ken Kesey, LSD, Marijuana, Merry Pranksters, Music, Poetry and tagged , , , , , , , , , , , , . Bookmark the permalink.

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