Art Workers Coalition

Flyer for demonstration on March 30, 1969.

“The Art Workers’ Coalition (AWC) was an open coalition of artists, filmmakers, writers, critics, and museum staff that formed in New York City in January 1969. Its principal aim was to pressure the city’s museums – notably the Museum of Modern Art – into implementing economic and political reforms. These included a more open and less exclusive exhibition policy concerning the artists they exhibited and promoted: the absence of women artists and artists of color was a principal issue of contention. The coalition successfully pressured the MoMA and other museums into implementing a free admission day that still exists in certain museums to this day. It also pressured and picketed museums into taking a moral stance on the Vietnam War which resulted in its famous My Lai poster And babies, one of the most important works of political art of the early 1970s. The poster was displayed during demonstrations in front of Pablo Picasso′s Guernica at the MoMA in 1970. The AWC grew out of an incident at MoMA during the exhibition curated by Pontus Hulten, The Machine at the End of the Mechanical Age: on January 3, 1969, Greek kinetic sculptor Takis, with the support of friends, physically removed his work from the exhibition. Although the work, Tele-sculpture (1960), had been purchased by the MoMA in 1963 and thus belonged to its permanent collection, Takis was unhappy with the museum’s lack of consultation in choosing a work for exhibition which he considered no longer adequately represented his current artistic practice. The artist took his work into the museum’s sculpture garden and remained there until he received confirmation from museum officials that his work would be withdrawn from the exhibition. The incident led to a series of meetings held at the Chelsea Hotel in which the group that had supported Takis’s action discussed issues relating to the political and social responsibility of the art community. The group included Takis, American kinetic sculptor Wen-Ying Tsai, German conceptual artist Hans Haacke, American writer and independent curator Willoughby Sharp, co-founder of Avalanche Liza Bear, American artist and Village Voice art critic John Perreault, and American minimalist artist Carl Andre.  …”
Primary Information
MoMA – From the Archives: Faith Ringgold, the Art Workers Coalition, and the Fight for Inclusion at The Museum of Modern Art
Mousse Magazine
amazon: Art Workers – Radical Practice in the Vietnam War Era, Julia Bryan-Wilson

Famous My Lai poster And babies, one of the most important works of political art


About 1960s: Days of Rage

Bill Davis - 1960s: Days of Rage
This entry was posted in Black Power, Books, Feminist, My Lai, Vietnam War and tagged , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s