Meredith Monk: 16 Millimeter Earrings and the Artist’s Body


“At once a choreographer, composer, actress, singer, and director, Meredith Monk is known for a body of work that is often considered unclassifiable. Since the 1960s, her practice has spanned across disciplines of dance, theater, visual arts, and film, and has included solo as well as ensemble pieces. Monk’s self-fashioned degree in ‘Interdisciplinary Performance,’ obtained from Sarah Lawrence College in 1964, remains the best definition of her work, as the artist often combines multiple performative elements in individual pieces. Her approach results in works that cannot be singularly defined as dance, theater, concert, or film works, but are instead a unique synthesis of artistic disciplines, most broadly described as simply ‘performance art.’ One of Monk’s earliest pieces is 16 Millimeter Earrings, created in 1966 and originally staged at the Judson Church in New York. The performance began with Monk seated facing away from her audience while playing the guitar and singing, then went on to combine vocal recordings, theatrical acting, and film projections, and finally ended with the burning of an effigy meant to represent the artist herself. 16 Millimeter Earrings incorporated physical props, such as a slinky and red crepe paper streamers, as well as less tangible components. …”
Walker Art
Meredith Monk: 16 Millimeter Earrings
NY Times – Music, Images and Movement Mark an Enduring Creativity: Meredith Monk at St. Mark’s Church
YouTube: 16 Millimeter Earrings (Excerpt, 1966)

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